Documentaries are not seen as money-spinners in the Chinese box-office, no matter how good the reviews. As The Sinking of the Lisbon Maru premiered, leading ticket platform Maoyan predicted only 1.54 million yuan (US$210,000) in box office takings.
But positive word-of-mouth effect saw a box office boost, and by October 14, the film had earned 42.3 million yuan (US$5.9m). Maoyan raised its forecast to 44.6 million yuan (US$6.3m), roughly 29 times its initial prediction.
The film has a remarkable score of 9.3/10 on media review website Douban, the highest rating for a domestic release so far in 2024.
“I think it’s the best domestic film I’ve watched this year. A very great documentary. It reminds me of many works I’ve watched, such as Titanic, Dunkirk, Merry Christmas, Mr. Lawrence and Titanic the Musical. But documentaries have a stronger power of realism that can directly reach to your heart. Fang Li is a remarkable man. As a documentarian, he can tell a story in a much better and intriguing way than many commercial directors,” Hu An, a Beijing-based freelancer, told NewsChina.
“What I liked about this documentary was that the majority is actually focused on human’s innate kindness. The most striking example was the Chinese fishermen. They saw people in danger and they rushed toward it in order to save them. They did so at immense personal risk. […] I left the movie feeling very uplifted, with a sense in the intrinsic power and desire of humans to do good if only we make correct choices to do so,” commented James Mead, a Shanghai-based British influencer on video-sharing platform Bilibili.
The stories of the POW’s families touched millions of hearts. “Most of the time, the film shows in rich detail the suffering of the POWs, their regret, nostalgia and love for home and family, the lifelong traumas of survivors and the family members’ undying memories for the loved ones they’ve lost. The emotional impact of these stories is so strong that I seem to have immensely experienced hundreds of partings myself,” Douban user Mai Mai commented.
Fang told NewsChina that one of the most unforgettable moments during his meetings with survivors and their families was a meeting with Ken Penny and his brother Simon Penny in West Sussex, southern England. The two brothers took out a letter kept by their deceased father Gerald Penny.
The note was from their uncle Richard Penny, who was 17 years older than Gerald. Before he was sent to the Lisbon Maru, in the POW camp in Sham Shui Po, Richard wrote a short letter to his 5-year-old brother Gerald. In the letter, the 22-year-old, who seemed to have a sense of foreboding, asked his brother to take care of their mother. The letter only consisted of a dozen words, all written in capital letters.
“That was almost the man’s last will. It was so heartbreaking,” Fang told NewsChina. The strong feeling of wistfulness, homesickness and yearning affected the director so deeply that he burst into tears while reading the letter over and over again. “I have a younger brother as well. I can understand that feeling,” he said.
Gerald Penny kept the letter in his wallet for more than four decades. He named his oldest son Ken Richard Penny in memory of his brother.
Richard Penny’s story has a follow-up. Visiting the National Army Museum in London, Fang saw an account of Penny’s last moments. On October 2, 1942, Penny managed to escape the hold and dodge the Japanese bullets. He fell overboard, and was last seen clinging to a wooden plank, according to an account in a notebook from a survivor, which is preserved in the museum.
“I’ve seen and heard so many stories. I saw the fates of these soldiers and felt the lingering pains of their families that still hurt so much. I can’t help myself from sharing these stories with a wider audience, to help the world understand and remember what these young men had once been through. The strong emotion I’ve felt within myself is not a kind of pressure, but a keen urge,” he told NewsChina.
Dennis Morley, William Beningham and Lin Agen, the three surviving interviewees, died in 2020 and 2021. They had no chance to see the film, but they had already recorded their stories.
For Fang, preserving the history of the Lisbon Maru is more than just making a film. Among the 240 families of the POWs willing to be interviewed, there are still 130 families Fang intends to visit. He said he plans to build an online memorial to gather all his research and interviews, which he hopes will bring a great sense of meaning.
“This is a hope of a great many people. We all hope that the world remembers this moving story,” he told NewsChina.